Well, it depends on what you do with it. For instance, there’s a really exciting development in string instrument technology, where you can put these little strings and they sound kind of a bit like electric guitars and a bit like basses, so that you can get all the different sounds you want and not have to actually buy a high-end instrument. So if you’re interested in that kind of thing, you can put it in your computer, and then it’s just an online search — sort of a YouTube equivalent of a little instrument called a Strathmore 12-string bass. It’s an instrument that plays really nice and is made by Bourns, which is, like, one of the best string companies out there. It’s not a big company, but it’s got a very good reputation. It has, like, one of the biggest string departments in the world, and they’re sort of the masters of the universe.
For instance, for a violin, you can put some string on it, and it just sounds just like a guitar string; and for a guitar, you can start making it with a string and it sounds like you’ve got a guitar or an acoustic guitar. So, the same thing with these things. What happens is that once the strings are available, people are trying new things and people are experimenting. They’re starting to really learn the techniques of playing these different instruments and so on. It is, as you know, an exciting and dynamic, exciting, creative, interesting and interesting world.
What role do composers have in shaping the field?
I think the composers have a huge say in the fields because it’s a huge part of their lives. This thing called the composition or the music itself is basically their life, and I think that’s what you can really learn about it from composers — the way you can write a symphony or a piece that comes from the composer’s point of view. So to speak, you can learn about what composers want to write. You can read all these books and you can go to all these concerts, they’ve got symphony orchestras, they’ve got choral orchestras; they’re all looking for the same thing, which is the same thing you’re looking for — is your stuff very good and catchy and interesting, and if you can find that, you’ve got a shot in the world. So they can give you their advice on what you can do to write a symphony or a
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