How long would you say it takes to become a filmmaker?
“There seems to be a common misconception among filmmakers that only the young can become successful. While this is true among some filmmakers, and many young filmmakers may succeed, this isn’t the norm for the majority. There is a clear distinction between the time between birth and adulthood and the time required to become a filmmaker. In my mind, the time necessary to become a filmmaker is approximately three years. You have to be passionate and want to pursue your goal to make the time to become a filmmaker.
At this time, all the steps have to be taken. The first step is to begin a career as a filmmaker, whether you are planning to make films, or doing it through one of the many forms of entertainment (e.g., television, film, advertising). The best way to develop a strong passion for directing is to have a great agent, a strong manager, and an early mentor (someone who will mentor you but give you the resources and insight to be your own mentor). When I was in school, the mentors were all working in the film industry, and they were the people who would tell you what you needed to do to succeed as a filmmaker. You don’t need any of this. It’s best if you find someone who is just like you and knows what you are capable of. That’s why when you find your next mentor, you don’t just meet that person – you talk to them and ask them questions. Be patient; they may have a few ideas and maybe they will tell you something that will help. Make sure you are open to their advice. Most agents are very good at making deals for people, if you can understand business. I also have a saying: “You don’t need to learn to be a filmmaker, you need to learn to market.” Some people think they need to be an agent. Don’t fall for that. You just need to learn to be a real marketing person. And the more you understand that, the more you can stand alone with your independent films. If you don’t understand how to go about it, there are many great people out there working in film and marketing who’ll help you on that journey. ”
Why do you think we need to talk to more creatives?
Some creatives are afraid to speak up for fear of being fired. In our industry, there’s a lot of self-protection. Being a creative and speaking up or not working in film is seen
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