How do you draw a person? How do you put your feet on the ground or sit on the roof? How do you breathe? How do you breathe? What’s a gator? What’s a gecko?
I can take one thing at a time but I’m a bit of a storyteller. I like to tell stories. This movie took about ten different pieces of information and I put them together in this sequence. We didn’t need a million takes just to get it right. There was a lot that was improvised that we were able to build that helped bring the story to life. I think a lot of people, even before they started this job, might’ve gone through a really similar experience or a similar process.
You’ve been a stunt person for a long time. You’ve done some pretty spectacular stunts. What was it like when you had to go through that transition? How did you come to grips with your new role?
I was a stunt coordinator for the U.K. Army until a year ago. Then I switched to stunt coordinator in Italy. I had a very challenging training course in the summer. I had a ton of work and I wasn’t ready. I think that’s probably something that helped me the most to come to terms with the transition. When I was a stunt coordinator and I had the training, I knew everything and had all the knowledge. I just learned to work with a different part of me. I didn’t have to reinvent myself so much, but I did have to make sure that I knew what I was doing and what my needs were, which made me come up with different ideas about how to do it. I wanted the work to feel familiar and my role to be as minimal as possible, and I wanted the people to feel that they got more out of the work when I wasn’t there.
You’re working on a movie a week. How did that become the norm? And how does all of this interact with the day-to-day?
I think there’s a whole team structure that goes into shooting in the film industry, working hard, trying to do well in the film business. The majority of people in this industry are there just to be happy. If you want to do better and better and do more and more, you’re either going to get to work in front of a camera or on a stage. And then you need to have the right equipment and the right gear and the right person to work with and I
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